高峰秀子
Biyografi
Hideko Takamine (高峰 秀子, Takamine Hideko, March 27, 1924 – December 28, 2010) was a Japanese actress who began as a child actress and maintained her fame in a career that spanned 50 years. She is particularly known for her collaborations with directors Mikio Naruse and Keisuke Kinoshita, with Twenty-Four Eyes (1954) and Floating Clouds (1955) being among her most noted films. Takamine was born in Hakodate, Hokkaidō, in 1924. At the age of four, following the death of her mother, she was placed in the care of her aunt in Tokyo. Her first role was in the Shochiku studio's 1929 film Mother (Haha), which brought her tremendous popularity as a child actor. She toured as a singer to entertain Japanese troops and, after the war, sang for American occupation troops in Tokyo. In 1950, she left Shintoho and became a freelance actress. She was especially favoured as leading actress by Naruse, appearing in 17 of his films between 1941 and 1966, which are considered "some of her finest performances." She married writer-director Zenzo Matsuyama in 1955, but continued her acting career, stating that she wanted to "create a new style of wife who has a job". After retiring as an actress in 1979, she published her autobiography and several essay collections. She died of lung cancer on 28 December 2010 at the age of 86.
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Basamaklarda Bir Kadın
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二十四の瞳
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無法松の一生
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The Ed Sullivan Show
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カルメン故郷に帰る
永遠の人
張込み
女の歴史
煙突の見える場所
カルメン純情す
笛吹川
華岡青洲の妻
ひき逃げ
放浪記
雁
妻の心
あらくれ
女の園
娘・妻・母
妻として女として
遠い雲
風前の灯
秀子の車掌さん
鬼の棲む館
綴方教室
衝動殺人 息子よ
この広い空のどこかに
女の座
二人で歩いた幾春秋
名もなく貧しく美しく
馬
我が家は樂し
山河あり
くちづけ
佐々木小次郎
昨日消えた男
三百六十五夜
子供の眼
㐂びも悲しみも幾歳月
細雪
或る夜の殿様
恍惚の人
朝の波紋
七つの海・後篇・貞操篇
浦島太郎の後裔
新道 後篇・良太の巻
新道
七つの海・前篇・処女篇
チョコレートと兵隊
花つみ日記
希望の青空
グッドバイ
「春情鳩の街」より 渡り鳥いつ帰る
明日を創る人々
東京のえくぼ
エノケンの孫悟空
スリランカの愛と別れ
われ一粒の麦なれど
北の三人
ふたりのイーダ
待って居た男
男性対女性
お嬢さん
三尺左吾平
勝利の日まで
婦系図（おんなけいず）
藤十郎の恋
兵六夢物語
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阿波の踊子
武蔵坊辨慶
その前夜
六條ゆきやま紬
釣鐘草
花ひらく
続佐々木小次郎
大江戸の鬼
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新篇 丹下左膳 隻眼の巻
そよ風父と共に
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秀子の應援團長
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与太者と海水浴
四つの結婚
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ハナ子さん
女学生記
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愛よ人類と共にあれ 後篇 米国篇
三百六十五夜 東京篇
Jônetsu - Ra pashion
女の水鏡
第二の接吻
女といふ城 マリの巻
白薔薇は咲けど
女といふ城 夕子の巻
